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> <channel><title>Comments on: Aquatic Sound Generator in Flash</title> <atom:link href="http://blog.zacharcher.com/2010/06/16/aquatic-sound-generator/feed/" rel="self" type="application/rss+xml" /><link>http://blog.zacharcher.com/2010/06/16/aquatic-sound-generator/</link> <description>Friend to analog and digital alike</description> <lastBuildDate>Mon, 17 Oct 2011 01:32:57 +0000</lastBuildDate> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <generator>http://wordpress.org/?v=3.3.1</generator> <item><title>By: Anthony</title><link>http://blog.zacharcher.com/2010/06/16/aquatic-sound-generator/comment-page-1/#comment-12605</link> <dc:creator>Anthony</dc:creator> <pubDate>Sun, 02 Jan 2011 22:43:00 +0000</pubDate> <guid
isPermaLink="false">http://blog.zacharcher.com/?p=219#comment-12605</guid> <description>Great app and good work recreating some of the FS1R&#039;s unique qualities!</description> <content:encoded><![CDATA[<p>Great app and good work recreating some of the FS1R&#8217;s unique qualities!</p> ]]></content:encoded> </item> <item><title>By: Zach</title><link>http://blog.zacharcher.com/2010/06/16/aquatic-sound-generator/comment-page-1/#comment-10099</link> <dc:creator>Zach</dc:creator> <pubDate>Wed, 16 Jun 2010 22:42:04 +0000</pubDate> <guid
isPermaLink="false">http://blog.zacharcher.com/?p=219#comment-10099</guid> <description>Thanks Jeremy! Being mildly obsessed with the FS1R definitely helped, I found pages like this one that helped me understand how to generate formants without using a bandpass filter: http://www.sitepassenger.com/thomas/fs1r/heart.html
How I did it: I recorded the FS1R in Ableton Live, sweeping different parameters, then zoomed in and looked at the shape of the waveforms it produced. Also Flash&#039;s spectral view helped a lot, I was expecting to see a cluster of overtones (like a formant) so I could see when my algorithm was incorrect.
It turns out that you can generate a formant using two sine oscillators; the first sine resets the phase of the second sine at the end of each cycle (i.e. oscillator sync). Also the first sine controls the amplitude of the second sine (similar to ring modulation). Pretty neat.</description> <content:encoded><![CDATA[<p>Thanks Jeremy! Being mildly obsessed with the FS1R definitely helped, I found pages like this one that helped me understand how to generate formants without using a bandpass filter: <a
href="http://www.sitepassenger.com/thomas/fs1r/heart.html" rel="nofollow">http://www.sitepassenger.com/thomas/fs1r/heart.html</a></p><p>How I did it: I recorded the FS1R in Ableton Live, sweeping different parameters, then zoomed in and looked at the shape of the waveforms it produced. Also Flash&#8217;s spectral view helped a lot, I was expecting to see a cluster of overtones (like a formant) so I could see when my algorithm was incorrect.</p><p>It turns out that you can generate a formant using two sine oscillators; the first sine resets the phase of the second sine at the end of each cycle (i.e. oscillator sync). Also the first sine controls the amplitude of the second sine (similar to ring modulation). Pretty neat.</p> ]]></content:encoded> </item> <item><title>By: Jeremy</title><link>http://blog.zacharcher.com/2010/06/16/aquatic-sound-generator/comment-page-1/#comment-10098</link> <dc:creator>Jeremy</dc:creator> <pubDate>Wed, 16 Jun 2010 21:30:50 +0000</pubDate> <guid
isPermaLink="false">http://blog.zacharcher.com/?p=219#comment-10098</guid> <description>This is awesome, great job Zach! How did you go about &quot;reverse-engineering&quot; the FS1R?</description> <content:encoded><![CDATA[<p>This is awesome, great job Zach! How did you go about &#8220;reverse-engineering&#8221; the FS1R?</p> ]]></content:encoded> </item> </channel> </rss>
